Saturday, January 22, 2011

What Does Going Out Consist Of In Grade Eight

So, What does going out consist of in [Grade Eight]

Answer (courtesy of wikiHow): Dating in 8th grade consists of whatever the couple is comfortable with. Usually this may be going to a bowling alley once in a while, or seeing a movie, etc. It should not be composed of anything sexual. It is very harmful for the mental and physical health of the couple. It also depends on how long you've been 'going out.' If you have just started dating, I don't recommend kissing all the time. Save that for later stages.

Friday, January 21, 2011

Shatner Don't Shat

You Have To Keep Moving

Phrase application is the lifeblood of motivation. Right now, I have the phrase: 'YOU HAVE TO KEEP MOVING' in the rear of my dome. Apply it to your morning ritual or when you feel like you are in a rut.

Phoenix Friday

The Marinade

Spending more and more time on hype machine (hypem.com). Here is one Phoenix slashmash tune I came across. In other news, I am currently marinading a steak with the following ingredients: Bock & Brown Sugar Marinade, minced garlic, salt, pepper. Boom.

The Keg Is King

Really enjoyed some home brewing and charades last night courtesy of D. Arnold. Draft beer in a cold glass, pumped straight though a cylindrical keg, which was housed in an athletic cooler shell: Pretty fantastic. Looking forward to the next one. Have a great weekend!


Wednesday, January 19, 2011

Revolving Icons

I like to keep my icons and role models on a revolving basis. There are times when I find some men and women whom I dearly admire and respect to be exposed at their worst moments. Without getting too long-winded, I often hear about Teddy Kennedy and the wonderful things he did throughout the course of his life, and most significantly - toward his latter years. But, nonetheless, when I hear the name Edward Kennedy - the first thing I associate with him is the incident at chappaquiddick. For those of you who are unfamiliar with the accident, please refer to some online source. Anyhow, it is ultimately impossible to pinpoint one icon or role model to be your forever inspiration, as we all know that humans are synonymous with imperfection (and for those with spiritual or religious icons, this point-of-view is coming from a strictly human & tangible basis). But at this brief juncture in my existence, I have recently (within the past 24 hours) stumbled across two figures who I have found to be of the utmost inspiration because of one singular move they made within their lives. This is not to say that I plan to buy a framed vintage photo of either, read their respective autobiographies or try to force my beliefs upon another person - but rather to make a critical point that I hope might be of some importance or relevance to you, and hopefully, in time, to myself. 

This afternoon I sat down to screen Stanley Kubrick's Full Metal Jacket. As an unpretentious, mostly uninformed student of Film, I have greatly changed my viewing habits when watching a movie. That being said, I keep my computer at hand whenever screening something by myself, as I can't go a mere 5 minutes without curiosity regarding the plot, the cost, the soundtrack, the actor/director/DP/producer bios, etc. 

As it turns out, R. Lee Ermy was a former drill sargent, something that is quite common knowledge seeing how his popularity has become a cultural phenomenon over the past 20 years, and many of us who watch TV and Film have become familiar with this historical anecdote. But, when Kubrick made the film, Ermy was hired on as a technical advisor - obviously for purposes of authenticity. But Ermy's move was critical to the way the rest of his life would unfold. He told Kubrick he would like to audition, and he was denied. However, Ermy made a 20-minute audition tape, improvisng insanely witty and high-charged Drill-type rants. Needless to say he nailed it. Kubrick is quoted as saying, "Ermy was a genius for this part." Boom. Ermy was a staple to Kubrick's film. 


The other night, a couple buddies of mine were having a conversation over drinks about music and we passed the conversational ball around again and again, until someone said: "Listen to Marty Robbins', 'The Ballad of the Alamo.'" Of course I failed to do this until the next day he sent me a video for the song, with the appropriate art applied in the background of the youtube video (see the menu at San Antonio's Alamo Cafe). By the way, they have some deliciously strong margaritas. 

After listening to it, and enjoying it for the most part - I did a wiki search on Mr. Robbins (as I truthfully only know his name by way of a Robert Earl Keen song), and to my bewilderment - discovered that he was also a NASCAR driver on the side. 

The story goes as follows:

May 7, 1972 Winston 500
Talladega, AL 1972 Dodge #42
Started 9, Finished 18th but disqualified himself for running the last 100 miles without carburetor restrictor plates. Marty also refused to accept the "Rookie of the Race" award, the money for an 18th place finish, or the Grand National Driver points. Marty was given $745 for a 50th place finish, and fined $250 by NASCAR.

In light of the cheating, Robbins' honesty is so unique, especially when fame and pressure are paramount in the celebrity culture. Yes, the doping of baseball players, Marion Jones, Floyd Landis (biking culture in general) really shows that their is a huge cultural dishonesty in the world. But this isn't groundbreaking information - we all know what is and has been going on. The story moral with Robbins is that: Hey, here is a guy who is pushing the limits, testing himself and when we did ever so well, he came forth and said, 'I don't deserve this.' There is a better narrative version on wikipedia, look for it there. 

In conclusion, this posting is testament to the idea that one right move can 1) change your life for the better 2) engrave your name eternally as an upright & honest man - something that isn't commonplace in the 21st century. God Bless & God Speed.

Now That's A Knife

Retrosexual



    


                                        

Tuesday, January 18, 2011

Toying & Truth

What a song. I first heard this when I screened Wes Anderson's Rushmore for the first time. I have posted this song as shown in the closing scene of the aforementioned film, but it deserves it's own plug for this fine Tuesday. So gritty yet clean. Love and blues. Acoustic axes and smack piano. Acceptance and rejection. Toying and truth.


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Monday, January 17, 2011

HarMonciaLewinsky

Evening RunDown: GTC and I were prepared for a late evening jam at Fawn Brook. A couple of acoustic axes, a harmonica and a lot of work regarding the harmonization of our vocal synthetic rhythms. Fortunately, an old friend from Royal Cove messaged me beforehand regarding having a beer at Stonestreet Pub. You see, his Pop (Frank) loves watching womens collegiate hoops (especially UConn). Captain Royal Cove would have no part of this, which was most understandable. While UConns' run has been impressive and the fundamentals of WNCAA hoops may be slightly inviting, the real honor lies in brotherhood at the bar. A few White Russians, a couple of Guiness' and a Shock Top or two later, the trio of suburban dwellers traveled to my abode at Fawn Brook. Between the hours of 10:00pm and Midnight:30 we traveled through an acoustic wonderland. We touched down in Van MorrissonTownship, Matchbox20ville, MMJmetropolia, CoryMorrowCounty and ultimately to Collective Soul Galaxy. Amongst the Modelos, we found it to be a most satisfying evening. There wasn't any space travel or wind riding, but simply some night moves that made us get back in touch with the soil.

Scrap Book

Moons ago, my friend and I took a trip down to Cancun for some snorkeling, underage drinking and Montezuma's Revenge. This number from Don Henley Themed Hard.

Sunday, January 16, 2011

Kubrick's House

Icons in the Night, Pt. II


I just started watching Stanley Kubrick's last film, Eyes Wide Shut. While there is some controversy as to whether he felt like the film was, "a piece of Shit - - in which Kidman & Cruise had there way with me" (according to R. Lee Ermy), or his supposed best work, it was ultimately his final film. Compelled to do some researching, this man was a fascinating creature. I love several things about him. 1) His refusal of the Hollywood system 2) His reclusiveness 3) Full Metal Jacket, A Clockwork Orange, 2001: A Space Odyssey 4) His passion for the arts and his refusal for the media.

Oh, Kubrick. I have all the more respect for you because of the aforementioned shunning of the Hollywood monster.

Our current Hollywood system is a conglomerated hype machine. I watched 30 minutes of the Golden Globes tonight. In the process, all I could think of was how self-righteous these people are: Drinking fine champagne, leaning on their tabloid lovers, wearing fine-designer wear and giving speeches about the relevance of their roles. Ho-hum. Enough with this bunk-dumpington-hogwash. I need the arts. Renaissance, Pt. II: Invade our culture and rid us of the junk-skunkers. The only relevant film I have seen this year was The King's Speech. Get on it. Goodnight.

Questward Ho [California]

I don't know why these jackwagons had to split-up. They had something good going. Regardless, they left us a few good albums. Check out their CD: Dog Problems. Most notably: "Snails", "If Work Permits" and "She Doesn't Get It". Note: There is a worthy acoustic version of "She Doesn't Get It" that is worth applying your ears to.

With regards to Questward Ho, I am looking forward to a trip to Los Angeles at the end of the month. My Dad used to tell me stories about his ventures to Northern & Southern California after & during college to go surfing, using his VW bus as a transport mechanism. I will be flying by way of Americana Airlines, in which I hope to consume 1) blood-Marietta and ideally 2-3 bags of Mini-Pretzels. But yes, surfing is on the list of things to become comfortable doing. Wetsuit? Czech.

Some Sunday Poetry


There once was a boy named Gimme-Some-Roy...
He was nothin' like me or you,
'cause laying back and getting high was all he cared to do.
As a kid, he sat in the cellar...sniffing airplane glue.
And then he smoked banana peels, when that was the thing to do.
He tried aspirin in Coca-Cola, he breathed helium on the sly,
and his life became an endless search to find the perfect high.
But grass just made him wanna lay back and eat chocolate-chip pizza all night,
and the great things he wrote when he was stoned looked like shit in the morning light.
Speed made him wanna rap all day, reds laid him too far back,
Cocaine-Rose was sweet to his nose,
but the price nearly broke his back.
He tried PCP, he tried THC, but they never quite did the trick.
Poppers nearly blew his heart, mushrooms made him sick.
Acid made him see the light, but he couldn't remember it long.
Hash was a little too weak, and smack was a lot too strong.
Quaaludes made him stumble, booze just made him cry,
Then he heard of a cat named Baba Fats who knew of the perfect high.
Now, Baba Fats was a hermit cat...lived high up in Nepal,
High on a craggy mountain top, up a sheer and icy wall. "Well, hell!" says Roy,
"I'm a healthy boy, and I'll crawl or climb or fly,
Till I find that guru who'll give me the clue as to what's the perfect high."
So out and off goes Gimme-Some-Roy, to the land that knows no time,
Up a trail no man could conquer, to a cliff no man could climb.
For fourteen years he climbed that cliff...back down again he'd slide . . .
He'd sit and cry, then climb some more, pursuing the perfect high.
Grinding his teeth, coughing blood, aching and shaking and weak,
Starving and sore, bleeding and tore, he reaches the mountain peak.
And his eyes blink red like a snow-blind wolf, and he snarls the snarl of a rat,
As there in repose, and wearing no clothes, sits the god-like Baba Fats.
"What's happenin', Fats?" says Roy with joy, "I've come to state my biz . . .
I hear you're hip to the perfect trip... Please tell me what it is.
"For you can see," says Roy to he, "I'm about to die,
 So for my last ride, tell me, how can I achieve the perfect high?"
"Well, dog my cats!" says Baba Fats. "Another burned out soul,
 Who's lookin' for an alchemist to turn his trip to gold.
It isn't in a dealer's stash, or on a druggist's shelf...
Son, if you would find the perfect high, find it in yourself."
"Why, you jive mother-fucker!" says Roy, "I climbed through rain and sleet,
I froze three fingers off my hands, and four toes off my feet!
I braved the lair of the polar bear, I've tasted the maggot's kiss.
Now, you tell me the high is in myself? What kinda shit is this?
My ears, before they froze off," says Roy, "had heard all kindsa crap;
But I didn't climb for fourteen years to hear your sophomore rap.
And I didn't climb up here to hear that the high is on the natch, So you tell me where the real stuff is, or I'll kill your guru ass!""Okay...okay," says Baba Fats,
"You're forcin' it outta me... There is a land beyond the sun that's known as Zabolee.
A wretched land of stone and sand, where snakes and buzzards scream,
And in this devil's garden blooms the mystic Tzutzu tree.
Now, once every ten years it blooms one flower, as white as the Key West sky,
And he who eats of the Tzutzu flower shall know the perfect high.
For the rush comes on like a tidal wave...hits like the blazin' sun.
And the high? It lasts forever, and the down don't never come.
But, Zabolee Land is ruled by a giant, who stands twelve cubits high,
And with eyes of red in his hundred heads, he awaits the passer-by.
And you must slay the red-eyed giant, and swim the river of slime,
Where the mucous beasts await to feast on those who journey by.
And if you slay the giant and beasts, and swim the slimy sea,
There's a blood-drinking witch who sharpens her teeth as she guards the Tzutzu tree."
"Well, to hell with your witches and giants," says Roy,
 "To hell with the beasts of the sea--
Why, as long as the Tzutzu flower still blooms, hope still blooms for me."
And with tears of joy in his sun-blind eyes, he slips the guru a five,
And crawls back down the mountainside, pursuing the perfect high.
"Well, that is that," says Baba Fats, sitting back down on his stone,
Facing another thousand years of talking to God, alone.
"Yes, Lord, it's always the same...old men or bright-eyed youth...
It's always easier to sell 'em some shit than it is to tell them the truth."

Shel Silverstein